- Create a crossover network
- Time align the drivers
- Apply equalisation to each driver
- Apply equalisation to the overall systems response.
- Adjust the phase response independently from the amplitude response.
This last point is possibly the most exciting one as it is only really achievable with DSP. This allows the crossover to have steep slopes but maintain a linear phase response (in theory). A traditional analogue crossover, or even a 'normal' digital filter crossover introduce phase shifts to the signal (its how they work). This causes cancellations centred around the crossover frequency because the two drivers are playing the same frequencies but out of phase relative to each other. A linear phase filter works by adding a time delay to the signal (this allows all of the phase shifted components of the signal to be 'realigned' in time).
I had now decided that I wanted my project to focus on DSP, I titled it:
An evaluation of the use of digital signal processing
within a loudspeaker design project.
Hi Ollie,
ReplyDeleteI only recently discovered your blog.
It seems there is not a lot off interest in our similar efforts.
(see my blog http://www.kblsystems.blogspot.nl/ )
What happened?
Disappointment made you abandon your efforts?
cheer up!
audio is great fun! join in at google+